25 August 2010

Battling the Inner Critic


I sit on the couch hunched over the coffee table.  It is a cool evening with a swift breeze from the north coming through the windows.   In front of me is my sketch pad, a pencil and a brand new box of crayons.  That's right, crayons.  I pick up the pad and begin to loosely sketch out some ideas that had been lurking amidst the little gray cells.

"Are those crayons?"

I ignore the question.  Obviously they are.  Anyone can see that.  I continue to sketch.

"What are you doing with crayons?  Have you reverted to your childhood or something?"  The voice grates, my teeth clench.

"I'm experimenting, looking for a easier way to sketch quickly."

"Hmmph!  One would think that you'd have grown up by now.  Look at all that equipment you have in the studio, even in your car. Crayons are for kids.  Didn't you eat some crayons once when you were a child?"

Probably.  Like many kids, I felt the urge to consume the colors, become one with the color, be the color.  Or, then again, maybe I was just hungry.  I remember they had no taste at all.  Very disappointing.  I think at some point I even tried doggie biscuits (hence, the great dental checkups).

Silence follows as I continue to ignore the last remark.  I look over the 64 colors ranged like soldiers in their  4 cardboard sections, a whiff of new wax tickles my nose.  I reach for . . .

"What do you hope to achieve with crayons anyway?  They're not "real" artist's tools.  Why not pastels or oil pastels?  Why not oil sticks?"

"Pastels leave dust everywhere," I reply.

"Oh, yes, I remember that time you wore white shorts. Ha!  Not very bright, I must say."

"Shut up."  I select one of my all-time favorite colors, periwinkle blue, the color of cornflowers, of summer mornings and warm breezes.

"Well, what about oil pastels?"

"They melt in the summer; freeze in the winter and snap."  A loud hoot fills the air.

"Yes, yes!  Remember that one, too -- melted oil pastels dripping all over your car, oozing onto the papers and your feet!"  A snort of laughter follows.

"Go away.  I'm busy here.  Besides, crayons are fun.  They're familiar, there's no preparation, they are easy to use and they blend so well.  That's all I'm looking for -- ease of use and a time-saver since I work full-time.  Now, go away." 

Another favorite, violet, comes out of the box.  A wide spray of violet covers part of the paper, mixing with the periwinkle -- yum!

"You have reverted.  You're acting like a kid again, not a true artist.  Well, if you continue to insist on this ludicrous behavior, I'll just have to leave you to your playtime."  The sound of stomping echoes through my mind.

Good.  My Inner Critic has finally left the building.

I think another pool of blue should go here.  And then maybe some light green over there.  Night rolls on . . .

* * *

The next morning I come downstairs, grab my first cup of coffee and sit on the couch, staring at the sketch pad I had left the night before, along with the pencil and crayons.  All happy little soldiers lined up . . . hey, wait a minute . . . something's wrong.

One of the crayons is missing,  Where's my periwinkle blue? 

Ummmm.  Could it be that maybe I've convinced my Inner Critic to put aside logic and have some fun? 

* * * * *

Have you tried something "silly" or just plain fun to break out of the doldrums or to find an easier way to do something?  Come and share!

18 August 2010

The Price of Success . . .

Daybreak on the River:  SOLD!

Winding down for a few days away -- and not too soon, I may add.  As the old adage states:  be careful what you wish for.

Since June the Gallery has sold 7 of my paintings.  It took me 4 years to earn representation, with a growing sense of anxiety that these works I had labored over, thought and dreamt about would forever be stacked against the workroom wall.

And then a few are placed in a wonderful space and sell.  Oh joy, oh rapture!

Until you get the phone call, can you bring more?

They want more.  Quick, dash into the workroom and pull the next candidates, grab another one off the dining room wall.  Delivered.  Phew!  O.k., now I can go back to relaxing and enjoying the summer.

Another phone call -- more sold?  Bring more . . . ?   I glance around the walls of my house -- nothing.  Luckily, I have a few ready for varnishing . . . (oils take forever to dry in summer -- arghhh!).

Delivered.  Pour myself a glass (or two) of wine and put my feet up.  The phone rings -- don't answer that, I say to my husband.  He just laughs at me.

Now you know why I'm going away for a few days -- I'm hiding from the price of success.  But then again, I shouldn't jinx myself -- pride cometh before a fall, doesn't it  . . . ? 

Damn, you just can't win.  It must be that old catholic school training . . . guilt at success is like going straight to heaven, skipping over purgatory and dancing on the head of the devil.  Dangerous stuff, that.

Maybe I'll get used to this.  Maybe not.  Next time I wish upon a star, I will think carefully and refer to a lawyer regarding the proper phrasing. 

Care to share you stories of success, ambivalence and the accompanying guilt of not being thankful enough?  I'd be happy to post them --   :-)  

13 August 2010

Nocturne

dreamscape1
in the evening shadows
the garden shimmers
each blossom pulses
tossing its hues
to the fading light . . .

last night i sat in the gloaming
shadows stretching thin
across the lawns

birds swooped
as if scooping up the last rays to carry home
back to the nest . . .

fuschia and gold stained
the shadows that knelt
along the edges of the garden
cicadas rasped their vespers
seeking love in the darkness . . .

will i remember this come January?
yes
and yes again . . .

03 August 2010

On an August afternoon

Dunes
acrylic, gouache & pastel

august
summer winding down
a breath of north wind
tickles sun-burnt skin

dunes slumber
under the weight of heat
waters sluggish

tiny birds
dodge about wetlands
no longer wet . . .

i close my eyes
to the bright light and
dream of crisp breezes
and cooled stone beneath
my feet

autumn is knocking
at the door
on the threshold

i roll over . . .